VERMEER IN BOSNIA: Cultural Comedies and Political Tragedies.
Johannes Vermeer was a Dutch painter renowned for his painting the “Girl with a Pearl Earring” as one of his major masterpieces.The reflective earring is the dominant point of the painting. Initially, the painting had been named as the “Girl with a Turban” but during the second part of the twentieth century, it was renamed to what it is referred to as now.
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In Vermeer’s Hat: The seventeenth Century and the Dawn of the Global World, Timothy Brook uses Vermeer’s paintings to show the effects of trade on the world and the overall globalization occurring.Brook argues that this globalization had begun in the seventeenth century.He takes a look at Vermeer’s paintings, and uses them as windows into seventeenth century history to discuss further.
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Vermeer himself remains in shadow, the private man and meticulous artist holding himself in check. Unable to permit herself the luxury of emotion, Griet becomes a silent, practical tradeswoman.
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Pearl project: The inspiration of the picture description Essay Sample. The image “Girl with a Pearl Earring” was created by talented Dutch painter Johannes Vermeer who lived and worked in the 17th century. This painting has an interesting legend and various titles.
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The Bosnian war was an international intra-state armed conflict that took place in Bosnia and Herzegovina from 1992 until 1995 following the breakup of Yugoslavia. It was the most atrocious war in Europe since the WWII, the main parties involved were the forces of Bosnia, and two other “self-proclaimed” forces: Republika Srpska led and supplied by Serbia, and Herzeg-Bosnia, supported by.
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This realistic piece of art shows a woman holding a balance, seemingly lost in her thoughts. In the background is a painting of “The Last Judgment”. Vermeer made it hard to perceive what the woman may be balancing, whether it is the gold chains and the strings of pearls that are lying on the table in front of her, or if it’s her thoughts that she is trying to balance out.
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Vermeer in Bosnia (2004) is a collection of essays by Lawrence Weschler. The title essay is a meditation on the relationship between Vermeer's paintings in the Mauritshuis in The Hague and the events being recounted in the Yugoslav War Crimes Tribunal in the same city.